You're Next

You're Next is directed by Adam Wingard and written by Simon Barrett. It stars Sharni Vinson, Nicholas Tucci, Wendy Glenn, A.J. Bowen and Joe Swanberg. Music is by Mads Heldtberg and cinematography by Andrew Palermo. Bloody and bloody good fun! The Davison family and partners meet up for a family reunion at a remote holiday home and quickly find that their inner issues are the least of their worries. The splinter of horror that encompasses home invasion, that most terrifying of subject matters, has had enough filmic entries to actually fill a house! So when another one comes along with good hype and a promise of reinvigorating the formula, it's cause for horror film fans to start salivating. You're Next doesn't reinvent anything, but it consistently and confidently keeps the formula well oiled and proves to be one of the better films of its type. The set up is standard, a big old country house in the woods, a whole bunch of likable and dislikable people, and of course some outside assailants about to unleash hell on everyone in the house. Refreshingly this is not a roll call of pretty teenagers being stalked and slashed, this is an assorted bunch, young and old, all shapes and sizes, and the family bickering that precedes the carnage is a smart move, because once family members start getting killed there's a genuine sense of grief and regret coursing through those yet to be sliced and diced. It's nice to find that Wingard has great respect for his target audience, he's made a film for fans of the sub-genre and inserted a darkly comic streak that pays off royally. It's often very nudge nudge and wink winkery, but always in the right places. The director also proves to have a devilish eye for a murder scene, with some of the killings here high grade in blood, physicality and originality. Elsewhere the makers give us a great heroine, a truly resourceful gal that fights back with a ferocity that's both sexy and frightening, and while the revelation of why these events are happening is hardly original -– or that the back story given for our heroine's skills is just silly -– Wingard plonks it all together with such bloody verve it hardly matters. Some less than good acting from a couple of the cast, and the overuse of shaky-cam stops it from going through the roof out into the genius stratosphere, but this is a cracker of a home invasion horror and well worth a night in with the lights off and the volume tuned up loud. 8/10

**The following is a long-form review that I originally wrote in 2013.** Though initially shown in 2011, You're Next has only just gained a theatrical release in the past month. A release for which I'm very glad. Being in Australia, a horror movie in cinema is not common, there's rarely if ever more than two showing at the same time, and very often none. Stylistically it blends a lot of cliche business with some much more out there and alternative ideas. The cinematography is not unlike that of The Strangers (plus there's some similarity in events) and the vibe reminded me of the Saw franchise (though the events themselves most certainly did not). The result is a film that is oddly both a predictable and completely atypical horror. Though the most major of the plot twists was seen coming by everyone I saw You're Next with, and personally only one of my many predictions about the film failed to eventuate, I'd still rate it as Adam Wingard's best work to date (who has previously been responsible for on A Horrible Way to Die, Pop Skull and What Fun We're Having as well as collaborative segments The ABCs of Death and both V/H/S entries). The cast is small, and not exactly overburdened with big names. In fact I only recognised AJ Bowen out of the lot of them (from his work on other Wingard pieces as well as The Signal and Hatchet II). Sharni Vinson who plays a character named Erin (a twist on the Final Girl trope usually seen in slasher films) was unknown to me, though an Australian in a major role of an American film was cool to see. She earned much praise for her portrayal, though personally I felt this was at least as much (if not more so) due to good writing than good acting. My personal accolades go to the villains of the piece, dubbed simply Fox Mask, Tiger Mask and Lamb Mask (above). Particularly Fox Mask, but that may well be a bias seeing as Hoyts sent me a Fox Mask Mask for free. As well as tickets. Good kids. You're Next has some new ideas to display, as well as some class act ways of getting around issues like budget constraints. It has some well designed kills, a mostly-engaging story and some absolutely hilarious moments (probably intentional, but laugh-out-loud funny either way). But it didn't blow me away, nor was it groundbreaking. The "new stuff" brought to the table tended to come about in short bursts through an otherwise standard setting, rather than actually being original overall. I enjoyed my time and I'd recommend giving it a a watch, but ultimately it sat in the category of "good" rather than "memorable". -Gimly

It has a lot going for it, but the parts that aren't quite so positive drag it down a lot. The horror aspects of <em>'You’re Next'</em> are good. All the deaths are pretty neat, with the villains certainly look the part. Sharni Vinson is memorable in the lead role of Erin, but she's really the only cast member that I enjoyed in this. The set-up, character decisions and ultimate twist are dreadful. I have a decent threshold of ignoring when characters do dumb things, but this film takes the biscuit in that regard. I was questioning so much of what they all do, to the point it got irritating. Some of the editing and camera work isn't great either. Going back to the cast. Vinson is definitely the best person onscreen, her character turns into a very cool one as the film progresses. With that said, I never felt she fitted in well. Vinson as Erin as a film's sole protagonist would be awesome, but she's unfortunately held back a lot in this. I guess if you want a 95 minute slasher that doesn't take any thinking or anything of the sort, then this is a film that's worth a watch. However, for me, the supporting elements aren't good enough to match the solid horror.