Face/Off

A quality all-out action film! <em>'Face/Off'</em> isn't one that'll stick out in my memory as something deep meaning, incredibly written or anything of the sort. However, as an action film it's superb. There's barely a chance to rethink what you've just seen due to the prevalent and manic nature of onscreen events. You also have fascinating performances from the two leads. Nicolas Cage and John Travolta are awesome in this. I won't spoil the plot, but all I will say is that those two bring it to life brilliantly - it felt, at least to me, very believable; which is impressive. Across the opening portion I thought it was going to be Cage stealing the show, but as things progress Travolta really comes up big to match Cage. Away from NC and JT, there isn't really anything to scream about cast-wise; although, I gotta give shoutouts to Mike Delfino and Gavin Harris; if you know, you know. Nothing much more to note, to be honest. The terrific action means I'd highly recommend this.

Never seen a concept for movie this way. They literally trade faces. Good versus evil and not only do they trade faces but there characters and personalities have to change as well. 2 of the best that could ever do it. John turns into Nicholas and Nicholas turns into John. I would say Nicholas Cage played it better then John Travolta did.

“Troy” (Nicolas Cage) is a nasty piece of work, and his latest bombing plot has attracted the attention of FBI man “Archer” (John Travolta). Now he has some personal skin in the game, as his nemesis was responsible for the death of his young son - an event both he and wife, physician “Eve” (Joan Allen) are still coming to terms with. When they apprehend him, though, the boffins come up with an unique plan that will enable "Archer" to infiltrate the terrorist gang and bring them all to justice whilst saving the city of Los Angeles from a grizzly fate. The trick? Well that involves some groundbreaking technology that will change his features from those of his own to those of “Troy”. All he has to do now is master a few of his more nasty character traits and then convince his girlfriend “Sasha” (Gina Gershon) - then he’s home and dry. Meantime, though, the real hoodlum awakens in an hospital bed and before we know it, he has assumed a counter-identity that he knows can not only put the kibosh on “Archer” and his cunning plan, but can enable him to mislead the investigators who are not in on the swap. The one woman who wasn’t read into the plot was “Eve” and so when her ‘husband” turns up as usual, we all know that a game violent and deadly game of cat and mouse is about to ensue. I did like the premise and for a while, with Cage at his most dastardly and then Travolta having a go too, it works quite well. It’s just far too strung out, though, and once serendipity has played a part once too often to help contrive the plot, I found myself losing interest in a story that became increasingly devoid of jeopardy. Moreover, as the story progresses Travolta stops being menacing and starts being hammy whilst Cage’s character strays once too often into the realms of weepy melodrama. The ending(s) take for ever to get us over the finish line, and left me feeling just a bit weary of the repetitiousness of a last twenty minutes that has pyrotechnics galore but little by way of doubt.