Sabata

He's the man with the gunsight eyes! Sabata is directed by Gianfranco Parolini (AKA: Frank Kramer) and Parolini co-writes the screenplay with Renato Izzo. It stars Lee Van Cleef, William Berger, Ignazio Spalla, Aldo Canti, Franco Ressel and Antonio Gradoli. Music is by Marcello Giombini and the Technicope/technicolor cinematography is by Sadro Mancori. Ace marksman Sabata (Cleef) teams up with a banjo-playing drifter and a Mexican tramp to foil the town leaders of Daugherty, Texas, who want to steal $100,000 from their own bank to buy land that the approaching railroad will cross. The first of what would become a trilogy of films featuring the character of Sabata, picture is a whole bunch of high energy action and cool fun. First off the character himself is easy to warm to, where in Cleef's genre perfect hands Sabata is the guy you want on your side. Smartly attired in black suit and hattage, he can shoot the leg of the chair from underneath you, blast your dice off of the craps table, hell he can even toss a silver dollar through the air to feed the jukebox. He's supremely confidant and can even be seen to leaping off of buildings and landing perfectly on his feet ready to take aim on some bad guy. Naturally here in Spaghetti world there's serious money issues bubbling away, where pretty much everyone in the plot is occupied by thoughts of it - or have dalliances with it. The lead villain is wonderfully effeminate, but dangerous and sharply confident himself, whilst Banjo the character (his instrument of course doubles as a weapon) has some complexity about him to make him constantly interesting. Other side-kicks join in the fun and bravado, so although there's no great depth on show the characters - including wonderful acrobats as well - are ever enjoyable. Perhaps unsurprisingly the sound mix is poor and pic veers very close to caricature, but it does stay on the safe side of things to not make this one big joke Spaghetti Western. The musical score is a jaunty cocktail befitting the carnival atmosphere, where even the Xylophone (or could be a glockenspiel) gets a good airing, and the Technicolor photography is rich and most pleasing on the eyes. Finally we find Parolini dabbling in off kilter camera angles to further enhance the town's schizophrenic heartbeats. 7/10

This isn’t so much a spaghetti western as a ravioli one. It’s full of lots of individually wrapped escapades that allow Lee Van Cleef to don his black suit and play a lovely game of cat and mouse with some quite shrewd townsfolk. It all starts when the army deposit $100,000 in the town’s bank. Barely half an hour after it is locked up for the night, the safe is on the back of a wagon heading out into the desert. Unluckily for the thieves, “Sabata” (LVC) stops them in their tracks and rather curiously repatriates the cash with it’s owners. Why? Well he concludes that there is a much more fun way to make his money as he decides to complement his army reward with a bit of good old-fashioned extortion. You see, he knows that it was some of the place’s grandees behind the crime, and that they were hoping to use the cash to buy land that they knew would be needed for the approaching railroad. Led by the wily “Stengel” (Spartaco Conversi) they naturally don’t want to pay, so they hire the enigmatic “Banjo” (William Berger) to even the odds. Thing is, is he good enough and just as importantly, whose side is he really on? Though the overarching plot here is all fairly familiar, and predictable, the variety of set-piece stories allows Van Cleef to do what he did best - nonchalantly smoke his cigarettes and hitting where he aims, whilst the eclectic mix of unsavoury characters around him battle it out for awards as the most venal and least trustworthy. The Giombini score jovially helps it along and it provides us with quite an enjoyably seedy look at life in town riddled with greed, treachery and just a little humour too.