The Million Pound Note

When two wealthy old buzzards - Ronald Squire and Wilfrid Hyde-White espy the poverty stricken American "Adams" (Gregory Peck) they invite him into their home and give him an envelope. He is promised it contains money and so he promptly sits down to a much needed meal. When payment is duly demanded, he reveals the contents of the letter. A £1,000,000 pound note. It's real, but nobody can cash it. Nobody has the change. Indeed, quite quickly he discovers that the very sight of the thing is sufficient to open doors of credit at just about everywhere in London. A swanky hotel, fine tailoring and dining all beckon. High society welcomes him with open arms and that might even provide him with an opportunity to court the otherwise inaccessible "Portia" (Jane Griffiths), thd daughter of the haughty "Duchess of Cromarty" (Joyce Grenfell). His deal with his two sponsors, so to speak, is that he must keep the note intact for one month and if he does, well there's a real glittering prize awaiting him. It's all going really rather well but he's overlooked one small thing. The previous owner of his hotel suite - the "Duke of Frognal" (AE Matthews) was none to pleased about being relegated to lesser accommodations, and so enlists the help of an housemaid to purloin said banknote. When "Adams" and his loyal, mute, retainer cannot present it to their creditors, well let's just say all the goodwill evaporates and things all start to look distinctly dodgy! This is quite a cheery and enjoyable adaptation of the Mark Twain story that sees Peck on jovial form amidst a fine cast of British character actors. The narrative takes an unswerving, but light-hearted, swipe at the hypocrisy and venality of society - at all levels as well as at the double standards that prevail across the board when those who have money (or are perceived to) don't really need it and those who are desperate for the stuff can't get near enough to it to buy basic essentials. The shallowness of many of these characters is writ large and entertainingly and though I did find the denouement a bit rushed, I did rather enjoy the irony of the conclusion. Peck looks like he enjoyed making this, as did the permanently sozzled Matthews and the on-form Grenfell and I did quite enjoy watching it.