Baby Driver

**Don't mess with this Baby!** One of the stylish film of the year. There's nothing special about the story, but the way it was made looks intriguing. The individual characters, music, stunts, obviously car chases. Not the best role Ansel Elgort has ever played, but in his short, beginning of the career, it quite possibly defines he's ready for the tough roles. Then the British filmmaker known for some wonderful action-comedies, one more addition to his hit kit. A youngster who is a getaway car driver for heists, working under a criminal mastermind, is often teamed with a different crew. One of his latest job takes an unexpected twist, leaving his yet to bloom romance with a waitress in peril. His attempt to come out of that, the risk he takes, changes his life forever. The tale ends with an action packed finale. This is the first Kevin Spacey film I'm seeing after all the allegation against him. I blame everyone equally who had let him do it all these years. But that's nothing to do with this film. He was fine as an actor as always. It's just fine to be as one-off film, but the way everything had happened looked like it could have been a great franchise. As of latest news, it is on. The sad part is, all the good characters won't return. Anyway, it is one of the must see from the year T17. _8/10_

Extremely stylish, anime inspired superb action film. Edgar Wright knows what he's doing.

Baby (Elgort) is a quiet, unassuming young man, who looks after his ailing foster parent, listens to music both out of his love for it, and a need to block out the tinnitus ringing in his ears that he was afflicted with due to a tragic accident that also took his parents. Baby also has a specific skill set, one that has him doing the bidding of a crime boss Doc (Spacey) to pay back a debt. Baby's skill is driving, but not just any driving, the kind of skilled driving that gets Doc's crew of armed bandits away from the scene of bank hold-ups very fast, and then leads crews of police cars on a merry dance, and dodges every trick up their sleeves with a few of his own set to a killer music soundtrack from his iPod. With light at the end of the tunnel, Baby has a chance encounter with cute diner waitress Debora (James), where the chemistry between the two is instant. He sees this as his road to freedom, and a bright new future. This new future is brought to rude halt by Doc who was not yet done with Baby. This film is all about the music soundtrack, and what a soundtrack indeed. With songs like Nowhere to Run by Martha and the Vandellas, to the quintessential driving song Radar Love by Golden Earring, you'll be tapping your toes as well as being thrilled by the action, plus the classy, and slick driving by Baby. The performances in this film are all stand out, relative new comers Elgort, James, and González do really well in their respective roles. The scene stealing performances by Spacey, Hamm, and Foxx are great in support to Elgort. While Spacey, as he generally does, plays cool, and mellow. Hamm, and Foxx do it with charm, and evil menace as Buddy, and Bats. Jon Bernthal's cameo as the suspicious, and hot-headed Griff was also a delight to watch. Written, and directed by cult favourite Edgar Wright, this film has all the elements that make this a great addition to the tradition of other heist films like Drive, The Getaway, and Heat. Baby Driver is probably the most fun I had at the cinemas this year along with Wonder Woman, and Spider-Man Homecoming.